My paintings are genuine and playful,and they contain strong traits in
the natural context of artistic cycles.
Experimental art is in this case, exemplary but by putting at stake
all that was known about a given object,opens up various possibilities
They form an open constellation of possible forms that seek
understanding. To understand a form means to decode it, “to go through
the process that produced it and therefore identify, at the origin of
the form the conception of creation and follow its course, its
experience and its success – to go through the living process that led
from the initial impulse to the complete form “.
My contemporary art , the material is not just the base or the body of
the work, but it is the end. Materiality is the object of aesthetic
discourse, the contact with physical material, in which poetics
materializes,and adds something to our understanding and delight. This
is the formal analysis of the structural mechanisms of my work.
It is not an end in itself, instead it provides the instruments for
understanding the relation between the work with the cultural context,
alongside my personality.